Shot Type
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Shot Description
|
Why this shot is used/What this shot shows
|
Wide-Shot
|
Taken from a long distance and captures both the surrounding and
action.
|
It is mostly used as an establishing shot at the beginning of a film,
however it can also be used to show isolation/loneliness.
|
Long-Shot
|
The depth between the object/subject and the lens is deep. Usually
with a 35mm lens.
|
This shot is also used as an establishing shot in order to present
the setting and scene.
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Mid-Shot
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Depth between the lens and the subject is medium. Usually a 50mm
lens.
|
Used to present both the setting and objects/characters, often used
for dialogue.
|
Medium Close Up
|
Displays emotion in more detail than a mid-shot, but you can still
see the setting. It can display equality between the viewer and the
character.
|
|
Close-Up
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Displays the head and shoulders of a subject.
|
Present more detail than the medium close up therefore drawing more
attention to the characters emotion or the detail of an object.
|
Extreme Close-Up
|
Shows only the eyes or lips of a character.
|
Often to make the objet look larger than life and make them more memorable
visually. It can also underscore the importance of the scene dramatically.
|
Over the Shoulder
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Camera is placed behind the shoulder of a character
|
Usually used to present a conversation between characters, switching
depending on who is talking. The shot can also suggest tension, intimacy, desire,
hatred, imprisonment or conspiracy.
|
Point of View
|
The lens acts as the characters eye.
|
Represents the subjective view of specific character. This type of
shot gives the audience a sense of intimacy with the character and can also
translate as sympathy for the protagonist and often fear, if it belongs to
the antagonist.
|
Two-Shot
|
When two characters are filmed in a single shot. Characters are
usually filmed from the mid-chest up.
|
This shot can show harmony or disharmony depending on the scene and
body language of the actors. It can show close proximity or link between them.
|
High-Angle
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Camera is placed above the subject.
|
Makes the subject appear small and vulnerable. It can also show an
unguarded moment.
|
Low-Angle
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Camera is placed below the subject and is pointing up.
|
Causes the subject to be larger-than-life. It can also transfer power
to the subject and make it appear to dominate objects beneath it.
|
Wide:
(Psycho 1960)
Long Shot:
(Shawshank Redemption 1994)
(Skyfall 2012)
Close-Up:
(The Hunger Games 2012)
Extreme Close-Up:
(Harry Potter)
Over the Shoulder:
(Titanic 1997)
Point of View:
(Moonrise Kingdom 2012)
Two-Shot:
(Submarine 2010)
High-Angle:
(Schindler's List 1993)
Low-Angle:
(The Hobbit: An Unexpected Journey 2012)
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